supported by : gerd, se62, fabio monesi, anil aras, dj steaw, inner sense, samann, dj caspa, owain 124, dj rampage, dj maddjazz, manooz...
the mlh crew brings house music tracks based on raw rhythms, infectious stabs and hard hitting grooves, written somewhere between chicago, new york, london, berlin and paris. after their first solo ep, mlh bring back the 90 s new york vibe with two veterans of this sound : the dat project aka william rosario and transitive elements aka enrico mantini.

rat life is back with more unheard material from the hidden bedroom studios of east germany. one day in metropia - is a project that was active around the year 2008 - operating out of the concrete suburbs of dresden. its main focus were live appearances in the citie s underground electronic music circle. just a few signals of its enormous creative output were published on various sound carriers to this day. so it was time to release some more of this large bulk of data that has been lurking on storage devices for years. rat life s operator credit 00 is proud to be allowed to contribute a remix version to this sonic document. have a nice day in metropia!

bus vipers is the moniker of canberra-bred, sydney-based multi-instrumentalist and producer daniel ahern. a new signing to future classic, bus vipers comes fresh with a new live band and ep, federal highway. sounding like a mix between unknown mortal orchestra and silversun pickups, this indie rock project is prone to hooky vocals, punchy drums and strong guitar riffs. in 2013, triple j unearthed ranked him 20 in the 50 most played artists of that year.

industry veteran paolo martini is next to join the emerald city family with red rocks. bringing the funk, he delivers a solid two-track release with irresistible groove and dance-floor disco heat. paolo martini has been in the business for over 30 years, first releasing with gianni bini on various labels such as defected, strictly rhythm, universal, azuli and nervous. they soon established their own label ocean trax and handled remixes of kylie minogue and jamiroquai. paolo has also been testimonial for several clothing brands including diesel and adidas and also the rane mp2015 mixer. his following co-productions can be found on acclaimed labels such as hot creations, snatch!, moon harbour, 8bit, saved and cecille amongst many others. 2017 starts the beginning of a new adventure with a string of releases geared up under his new solo project.

* two brand new reggae roots vocal tracks featuring danny red and paul fox are now available on a double a side 12 inch vinyl ep.
* both singers have been busy in the uk sound system scene since the early nineties. also featured are, a side: ras happa (bongos) & fullness (drums).
aa side: jahman dan (bongos) & fullness (drums).
*the two songs are called lion in me and still chanting . each song features both singers in collaboration style and also has two dub versions. it is a joint project between sound business and ababajahnoi labels on the newly formed red fox label.
*12” in plain sleeve, poly sealed outer.
*vocals & dub recorded at sound business.
*produced by: paul fox.
*limited initial press.

as part of our 10th anniversary this year, huntleys + palmers are very excited to present a special release with a combination of our musical influences old and new smagghe & cross feat. matthew herbert + remixes ivan smagghe has been a long time influence on the h+p world and we re huge fans of his new smagghe & cross project with the film composer and programmer, rupert cross. not only that, but one of the tracks features another hero, matthew herbert - making a rare appearance on vocals (and sounding pretty robert wyatt-esque in the process). additionally, we re really chuffed to have commissioned a honey soundsystem generator remix by jackie house, super-swedes, samo dj & pedrodollar turn in a trippy groover, and have enlisted the services of the dj who played the first ever h+p party back in 2007, pilooski - completing another circle during the 10th anniversary year.

meer is the experimental and ambient project of the techno rave producer ambre. in between industrial sonorities, occult rhythms, arabic references and electric guitar improvisations, meer aims to combine the occidental and oriental cultures. through dark atmospheres inspired by his north african roots, he composes his first ep on voidance recordings, -yawm alhissab, rabbok sayakouno aadowok ».

resopal is proud to present modernian ep by japanese producer do shock booze. it is the aka of music project by dj yoichi hayashi who has built the career as rock band singer and guitarist since the late 90’s in japan. his tracks which have the scent of creative melody and ethnic taste are attributed by modern psychedelic tech house. he has been the talk of the scene from in and out of japan with his active international gigs and releases from highly renowned labels such as honorable german label traum or baroque records to name a few. in addition to his dj style with high selection method and “trance dance” conscious style where floor control is everything, live style which he only selects his own original remix tracks, freestyle play centering on ethnic rock, electronic, new disco etc. has called him a great reputation. on modernian ep he presents three tracks for modern dancefloors. berlin – tokyo – the world.

the trickfinger project was recorded 10 years ago with no intention of being released at the time, made purely for discovery and learning experience. in my opinion, making music with no intention of releasing it is the best thing a musician can do for his own development in this day and age. the trickfinger lp was made in that mindset, and it was the beginning of a new musical life for me. when i hear it, it sounds like i am opening up doorways to new worlds, and i never have had that feeling listening to music i made for the purpose of releasing it and selling it.

hot on the heels of their role on correspondant compilation five, mexican maestros zombies in miami return to jennifer cardini’s label once again this summer with two supreme space-aged head jams. following recent disco excursions on hippie dance and bordello a parigi, the duo retreat to the shadier, heavyweight side of their signature with ‘take control’ and ‘last gun’. ‘take control’ is a glacial creeper laced with frosty electroid synths and a smouldering hypnotic beat while ‘last gun’ firms our focus on the looming lower tones, creating an ominous fog for the sunlight arpeggios to climb through evocatively. complete with on-point remixes from the lipsky brothers’ simple symmetry and benedikt frey & nadia d’alo’s init project, this will have you taking control for a long time to come.

the squirrels are back. their second platter comes courtesy of kit n c.l.a.w.s. (say it out loud), the cheekily-named collaborative project from squirrels on film co-founder brian hock and veteran san francisco producer kit clayton, and just like the label s first record, it s a woozy, wobbly trip designed for dancefloors drifting between dimensions. savvy techno heads will recognize kit clayton s name from his decades of experience at the avant-garde of electronic music. in the late 90s, he and partners tang tran and juan mendez (now better known as silent servant) launched cytrax, a groundbreaking minimal techno label that paved the way for the clicks n cuts sound of the early aughts. his debut album — nek sanalet, first released in 1999 on stefan betke s seminal label ~scape and reissued in 2015 — remains one of dub techno s most enduring documents. meanwhile, brian hock moonlights as the drummer for deranged bay area post-punk outfit bronze while recording murky electro-techno excursions as c.l.a.w.s.

coalmine records is pleased to relaunch ‘land of the crooks,’ the collaborative extended play project from the late sean price and melbourne’s go to producer, m-phazes. the project finds the longtime underground legend lending his distinctive, brownsville-bred grimy vocals over phazes’ rich tracks full of dramatic pianos, rich bass-lines, swinging horns and hard drums. the a-side includes the main passes, comprised of four original tracks with the addition of the small professor remix for ”murdah type thinkin (feat. guilty simpson).” for this special edition rerelease, coalmine has also added the divided souls ent. & dj pain 1 remix of “land of the crooks,” which was only previously made available on the label’s remix compilation, ‘remineded,’ which first dropped back in january of 2015. the b-side includes the instrumental passes of all of the original tracks, as well as the small pro remix, in addition to the “crookapella,” which includes various scratch stems taken from the ep, in addition to various isolated drum sounds, sound effects, and acapella of the “land of the crooks” single. additional features on lotc include roc marciano, billy danze (of m.o.p.), maffew ragazino, loudmouf choir and the dilated junky, dj babu. vinyl is manufactured on classic black discs, and comes complete with the andres guzman designed artwork, inspired by the vintage ‘80s movie, ‘crocodile dundee.’ sean price was hip-hop’s gray hulk, a barbarian with the pen, with the sharpest of wits. a true brooklyn legend...rip!

hidden project with roots in house and acid. a side from a houseband, house modern style with roots in the 60s and 70s, after a long time on promo supported by several djs finally it ends up on a wax. b side is a completely different story with 303 acid line over 909, jam and roll.

new extended play from frederick on his dwelling label fifty fathoms deep, with the idea of bringing together remixes, collaborations and previously unreleased bonus tracks from fifty fathoms deep and roar groove. as well as new works from frederick on this full circle release, the revenge and craig smith feature both individually and collectively as the 6th borough project.

production duo computa games take the most slamming synth bass, the crispest drum machine hits, and the overall classic vibes of 80’s dance-funk tunes to new aural heights. sculpted using the best modern studio techniques, the “cosmic dispatch” ep fuses funk, disco, soul and electro to various combinations, fitting the feel of the classiest nightclub or the grittiest backyard party. each individual tune on the ep pairs with a unique vocalist or collaborator, as the project features guests lovechild, b bravo, jackie rain, natalita, and e. live. there is something killer and personalized on this ep for every type of dancer, funkster, and headnodder around.

the cultural phenomenon that is the wu-tang cannot accurately be described without referencing one of the pillars in the clan s discography, chef raekwon s only built 4 cuban linx remains firmly planted as one of the defining triumphs in their artistic legacy. the oft referred -purple tape-, has been cited and debated by many as the greatest wu-tang solo project to date and a remains a bullet point in any discussion involving the greatest -cocaine rap- or -street hop- albums of all time.

producer and dj from cantabria pablo bolívar signs the new release in his very own seven villas, in which he takes the chance to interpret --remixwise-- the tracks on the album traverse -by sensual physics which was originally released in 7v in 2016.

we are facing a very special project for pablo bolívar this time. his admiration for the veteran german producer joerg schuster -one of pablo s musical heroes- gets highly reflected in each one of the eight revisions which form this traverse (reprise) . what pablo exactly does is to respect the original escapist, dubby and ambient spirit of the original trip proposed by traverse , by means of adding a soft, deep and sophisticated club aura. he turn that the album sensual physics takes into the most characteristic bolívar style is tasteful and subtle, therefore it seems a sequel of the original one. no crashes, no harshness. here everything flows simply in a natural way, especially that ambient-deep and tech fog which just adds a punch in any case. tunes as mondragon , málaga or miracle -among others- acquire a new dimension when touched by pablo bolívar s hands: always looking to their origin with respect to the original producer and the delicacy of a revised piece of work.

valuri is a new project of recordeep with only hit hz s productions.

after the three-track time enough at last, antigone returns with ostinato for token75. as a project, the record is thematically accurate, adhering to its titles suggestion on both sides. the tracks play with layering techniques, gradually building a spectrum of sound around their respective persistent motifs. antigone shifts these insistent base elements, allowing them the foreground before masking within a blend of carefully processed and organic-sounding details.

the crooked man returns to bitter end with an emotional copy only limited pre-release of powerful club pieces... keen eyed aficionado s may spot the homage to mel cheron s classic us label west end records here but while their motto may have been where the sun sets & the stars rise bitter end records embarks on a distinctly more 21st century path to dancefloor salvation... echo loves narcissus - part 1 is the opening salvo in a sonic saga across four movements, marrying, as it does irresistibly uplifting chords and vocal ad-libs to a bass line so thick it ll rattle the windows right out of your ride and knock the tiles straight off the walls of your cerebral restroom. once you ve adequately composed yourselves, we invite you to the 11 minute monster which is get the love on the aa... this recalls the brief but genre defying 1990 jams from mundo muzique s revelation project: synth assisted house-nosis, buoyed by the mantric voice imploration to accept higher states of carnality atop an immersive blanket of propulsive rhythms. once again bitter end rips up the rule book, and crafts a whole set of new, better ones in which freedom reigns light years ahead !

‘fallen down is the second ep from tee mango and will sauls primitive trust project, featuring a remix by shanti celeste. the title track weaves percussive shuffles and vocal refrains with glowing synths, whilst colourful melodic layers and resonating vocal stabs armour the choppy live drums of ‘day one. dekmantel regular shanti celeste does what she does best with her remix of fallen down in building a rich, hypnotic groove that steadily develops with intricacy and depth, whilst ‘big tracky disco tool is exactly that.

for fans of the italian avant-garde, few names inspire the loyalty and devotion offered to the percussionist and composer lino capra vaccina - a perfect emblem of the country’s extraordinary movement of musical minimalism. he first gained note as a member of aktuala, a project which laid the groundwork for a entire generation of practitioners following in their wake - creating a hybrid of rock, avant-garde, and ancient musics, while incorporating a diverse number of sonic traditions from across the globe - african, middle eastern, indian, etc. vaccina’s career as composer has been marked by two distinct features, an incredibly high bar of quality and ambition, and a tragically slim amount of recorded output. following his departure from aktuala, he worked extensively with others - juri camisasca, franco battiato, etc, and within the short lived super group telaio magnetico, but his astounding solo efforts have been slow to emerge. in 1978 he released the legendary lp antico adagio, and wouldn’t be heard from again until 1992’s equally extraordinary l attesa. fortunately, over the last few years, the milan based imprint die schachtel, has embarked on a multifaceted project - reissuing vaccina’s hard to find lps for a new generation, as well as offering a range of stunning archival recording which had never before seen the light of day. their latest release, an lp entitled echi armonici da antico adagio, falls into the later category. it is nothing short of a momentous even

another amazing exercise by thee j johanz! in r u there? early support from dj hell, prins thomas, simeon mobile disco, audio soul project, severino panzetta, tensnake and more

renowned argentinean artist franco cinelli returns to unlock recordings with three intricate cuts from the vault this september. one of argentina s most respected producers, franco cinelli has been making music for over two decades. the rosario-born artist has made a name for himself with excellent releases on the likes of djulz bass culture, esperanza and raum...music, not to mention his collaborative project alongside dario zenker named maria fresca on ilian tape. with so many of the upper echelons of house, techno and minimal supporting his tracks, including ricardo villalobos himself, franco cinelli s inimitable productions are not to be overlooked. originally released in 2009 and now finally getting a proper vinyl release, cinelli s remix of saccobros why not constructs an energetic narrative that extends over ten minutes. tight kicks work alongside looped atmospherics as a muffled hook and infectious sample add to the heightening suspense. cuts from the vault also sees two new productions from the argentinian. morph sense is the more twisted of the two, demonstrating a medley of clicks and whirrs whilst sci-fi inspired arpeggios operate throughout. as the name suggests, dub sine of the moon is the deepest cut on the package, with its crunchy percussion and subterranean tape delays that form a hypnotizing aesthetic from start to finish.

after his banging ep 1 on aus, tee mangos back for the 5th installment in his tribute project, inspired by the much referenced theo parrish quote: love of the music should be the driving force of any producer, performer or dj. everything else stems from that core, that love. with that love, sampling can become a tribute, an expansion on ideas long forgotten, reconstruction, collage. time is now time is now comes off like adamski era seal rerub for the small hours. replete with hypnotic looped piano and drums sounding like they were lifted from vaughan mason s raze house archive. simply sweet sweet electronic music. make it last forever the b side is tee mango on home turf, with a selection of choice samples under his cap (from a record you might recognise), some simple loose sampled drums and a smattering of dub delay. love for this series coming from: axel boman, benji b, artwork, fred p, and a heap of others. these tribute releases sell out pretty quick, my hunch is that these will not hang about.

lovefingers heard the atmospherian years ago on milk beach settlers, a promo-only mix cd comprised solely of australian artists, mixed and released by seminal melbourne dj duo and good friends hey convict! (tamas jones & jason evans). tamas explained that warp factor 9 was a one-off project by john and russell kilby of esoteric post-rock bands the crystal set and bhagavad guitars respectively, and who are brothers of steve kilby (frontman of the church, a prolific australian band we’ve adored since adolescence). we had an immediate epiphany and this project was set into motion

olim in latin can be used to indicate a time in the past or in the future. it can mean ‘once upon a time’ and ‘someday in the future’. a name and a project to try to move away from trends and genres, by taking inspiration from the past but at the same time leaving it, moving forward to shape a different and more narrative sound. the first attempt to do so is recursively: an 8 track album, opening with a sentence from bunny marrett sampled from an old documentary about st paul’s and the jamaican immigration in bristol during the 80’s. inspired by those intro words, recursively is a journey born from many years moving around, packing and unpacking suitcases, leaving villages, finding cities,leaving friends and finding more, emigrating, integrating. it’s a story about an entire generation trying to find the peace somewhere, somehow, sometimes by repeating the same steps in a loop of actions which seem to be the same but ultimately never are. it’s a soundtrack of those feelings and at the same time a message of hope to continue the journey through the faith that the meaning is the infinite journey itself. an infinite loop masterfully represented in carol rollo’s illustration. a story to be continued.

we are very proud and happy to present the new reference from rotten city records. after the releases with original works from tronik youth, a jokers bizarre (jokers of the scene + club bizarre) and dj rocca, with great remixes from artists such as red axes, timothy j. fairplay, justin robertson or mr tc, now it’s the turn of the spanish trio cannibal ink.

a special vinyl release containing some of the soma 25 project’s biggest remixes. with tracks form oscar mulero, antigone, gary beck & tensal.

italian artist blasted is ready to spread his stunning music with an intense four-track ep, aelien i. the industrial architecture of this project defines the lines of his modern techno concept. blasted welcomes two remixes from the acclaimed, berlin-based producers unhuman and blush response. the ep goes straight to its revelation, neurotic patterns which bump into a dark misanthropy, an experimental sound that becomes more and more cryptic. the second track is a powerful remix by blush response and it is the result of a metallic explosion due to a mental calculation of dusty beats and low basses. unhuman s remix closes the ep, dark forces make it clear about the distorsion and intensity of aelien i s noise, techno rhythm. welcome to a unique variation of massive techno sphere.

part two in alden tyrell s latest project: vorm variaties, a 5 release series consisting of tracks recorded in the last 2 years. all tracks selected are variations on classic techno forms, using classic style ingredients and the 909. all 5 variaties are different in style, yet all homogenous, all with alden tyrells sound signature... on point production skills and stripped down arrangements.

richard vergez launched the night foundation project with little fanfare in 2016, with several tracks and a new artist page appearing inconspicuously late at night in the uk time zone. with him already being a part of the lobster network - producing the iconic collages that burnished the stellar raw mt richard’s revenge and hedge maze kerb hits releases - it wasn’t long before lobster theremin’s jimmy asquith became literally the 12th play of these new tracks via the usual social media algorithmic attraction.

berlin producer troy gunner marks a new step in an ascendant career with the introduction of his very own imprint. simply titled ‘gunner’, this project will be predominantly vinyl-focused and will act as a platform for his own productions as well selected peers. it kicks off with 3 of his own tracks - all of which carrying a chilly quality whilst bearing troy s distinctive blend of stiff drums, heady atmospheres and muscular low end. support from resident advisor, dj mag, mixmag, zenker brothers, moxie, hodge, mickey pearce, xxxy, mj cole, john osborn, brendon moeller, carl craig, ivan smagghe, woz, christian martin, claude vonstroke, gorgon city, groove armada, tensnake, james zabiela, richy ahmed, my nu leng, altered natives, danny tenaglia, horse meat disco, huxley, phaeleh, gene farris, eddie temple-morris, shadow child + many more.

dc175 comes courtesy of alias, a new project comprising of harvey & ryan mckay, who are two acts who have previously released solo material on the label. harvey mckays last appearance was in late 2016 when he dropped the mad drummer on a-sides vol. 4 whereas ryan mckay s last outing was in 2015 when he appeared on a-sides vol.3 under the name skiver. this is the first collaborative project between the scottish duo under their new moniker alias. the ep opens with pentatonic , a tough sounding track that has been designed for the forward-thinkers. the truth follows up sharply, with vintage piano stabs and a vocal that gives the track abounding energy. the on-point percussion leads you on a trip of pure rapture. the release closes with the apocalyptic dream taker, which is teeming with sinister vocal action and hostile synth work and a sublime way to sign off.

continuously reimagining his sound and style, the grammy-winning artist sharam digsdeep into his bag of production tricks for his new project collecti, drawing heavily from the darker influences of techno. the album is comprised of a host of new material that he has been field testing with incredible response. -collecti is a culmination of work that represents my endeavors into a sound that has always been near and dear to my heart and central to my sets: techno. for my last album retroactive, i was fixated on all of my influences over the years, for this album, however, my focus is on the darker realms. these records are my dance floor experiments, my secret weapons, tracks that have been driving my sets and i m excited to share this body of work with everyone.- - sharam æscorpi has been tested to wild acclaim. its roaring vocal-synth riffs and heavy bass line have become one of sharam s secret peak-time tools, so much so that he s almost reluctant sharing it. mini is more subdued, channeling some maurizio influence with a long, continuously-modulating riff and tripped-out sounds. dj support: alan fitzpatrick mladen tomic sam paganini nicolas massayeff noir bart skills chris fortier

continuously reimagining his sound and style, the grammy-winning artist sharam digsdeep into his bag of production tricks for his new project collecti, drawing heavily from the darker influences of techno. the album is comprised of a host of new material that he has been field testing with incredible response. -collecti is a culmination of work that represents my endeavors into a sound that has always been near and dear to my heart and central to my sets: techno. for my last album retroactive, i was fixated on all of my influences over the years, for this album, however, my focus is on the darker realms. these records are my dance floor experiments, my secret weapons, tracks that have been driving my sets and i m excited to share this body of work with everyone.- - sharam æspaci is the closest the album gets to house territory, with a groovy bassline and scattering drum fills, while a remastered version of sharam s 2010 tour de force hemi populates this single s b-side, a spastic eight-minute epic that pits chaotic synth squeals and chopped up noise against trudging, liquified bass. dj support: alan fitzpatrick layton giordani andres campo boris sam paganini arjun vagale

its been a year or two since we featured a 12- single release from a new project. so hear at bearfunk we are really pleased to be releasing a cracker of a track. -gong bong-. it is from the caribbean house who are a new(ish) italian collective based around the core members of billy bogus & ferderico bologna. the original is one part slo-mo disco, one part psychedelic moondance and one part sci-fi horror movie. the track begins with swirling bass guitar and grinding synth before layering on a waft of sound effects and spooky keys. if the first two thirds of the track is a caterpillar then the last third is a butterfly as uplifting riffs and swirls of layered keys bring things to a crescendo. fellow italians the mushrooms project are up on remix duty first of all. they strip back the layers and concentrate on the growling bass and locked on pulsating synth. its back to the uk for the second remix where label honcho stevie kotey gets his percussion out for a drum, timpani and swing remix. stay tuned for more from the collective on bearfunk shortly.

after the reception of “battle anybody” from luminaries like dj premier (#19 on his best of 2013 picks), dj evil dee, dj eclipse and more, dawhud and ace-one started working on a proper follow up to their emceeing anthem. one track turned into an ep which then quickly turned into a full length project. the project... d&g (david & goliath) - “the scepter & the sword” the concept for the group simply came from dawhud’s name (david in arabic) and ace-one, who was in the midst of fnishing up his “rapmonster” series. those two elements and the sheer chest pounding vibe of their prior track led to the creation of “david & goliath”. epic, biblical, and loaded with imagery that paints what the duo are trying to convey in just a name. produced entirely by dawhud, the duo trade verses over his landscapes to join forces and reign together. from the opening battle cry of “something’s coming” to the closing of their p-p-p-p-p-premier approved track, “the scepter & the sword” is a rap odyssey. assisting the duo on this legendary journey are emcees like masta ace, rock (from heltah skeltah), sadat x, kokane and pacewon alongside longtime friends/emcees joe harvey, jo and otomatik. with a title like “david & goliath”… legends should be involved. something’s coming…

locked club is the new russian electronic punk music. a wild combination of the legacy of classic house music, new-wave acid and techno sounds and the immersion of post-soviet dance experimentation. born out of scruffy techno beginnings at drum-heavy basement parties, this is a serious, acid inflicted view of modern electronic music from the other side - away from the surrealism of the big room. locked club and rlgn recorded this project together in a basement for the basement.

the second release of secret swat manoeuvre s from the us of a ! after the instant sellout dj nature 12-, swat come through with a devastating & loving homage to the basement boys and amiri baraka s 2001 jam -an american poem- malik ameer is a veteran m.c. in the experimental rap/jazz scenes of california and nyc. ameer is also an internationally published poet with five books of poems to his name, he hosts and curates poets live in paris, france and is the editor for several literary journals based out of new york city. houston born, manhattan based leron thomas is a critically acclaimed writer, artist, and trumpeter who has worked with many household names from a variety of genres including michael stipe, lauryn hill, bobby watson, roy hargrove, bilal and mos def, to name but a few. from 2004 onward he has developed his genre-crossing music incorporating singer/songwriter, jazz, funk, electro-pop and rock, releasing nine solo artist records championed by the likes of gilles peterson etc. malik is a longtime friend and production collaborator of leron, as well as lending his emcee skills to both thatmanmonkz solo work, and their collaborative hip hop project madison washington . amerikkan poem was recorded in sheffield, paris, and new york.

octo champ releases his second ep of 2017, following up on not quite there yet, which received major exposure from thump and dj mag. this upfront four-track release is a selection of dance floor ready disco and house and sits boldly apart from a lot of other music within these genres. dj support so far from dan shake and titeknots amongst others. taking inspiration from the more exotic corners of the musical spectrum the ep leads with the upbeat make heaven and its conga rhythms, vocal hooks and electronic patterns. cmi is slower and moves further into the groove whilst lacuna is the ep s funkiest cut, featuring a killer bass hook, percussion, guitar chops, claps and more vocals to carry it along. closing with a second four to the four track diametric leads with an elastic, acoustic bassline, synth pads and you ve guessed it: more vocal hooks. octo champ is one-half of dj/promoter duo rigid disco, running parties and radio shows across both london and glasgow and booking rising stars such as tom blip, fyi chris, hector plimmer and the rye wax crew. octo champ has remixed soundway s flamingods and chpln as well as contributing to the cdr x dimensions sounds 2016 project. most recently, his music was picked up by let s go swimming who released the not quite there yet ep.

good news! music lovers, soul searchers, and record diggers! los charly s orchestra are back!!! this time celebrating their 10th anniversary and featuring the tropical soul legend: omar, for their latest extravaganza of caribbean infused disco/boogie. lco has left an important landmark on the global soulful disco - jazz funk landscape since the very beginning, and their tireless production machine still continues today to deliver some of the most epic groovers, such as: -all around the world, everlasting love & sunshine-, in between many others. juan laya & jorge montiel (the two men behind this project), continue on their endless effort for producing enduring music by delivering their latest ep which contains an lco s re-make treatment of omar s classic: -it s so- plus a brand new boogie-reggaeish fusion track entitled: -history-, both tracks with their correspondent instrumentals for the delight of the vinyl junkie, and groove music aficionado.

el origen is a collaborative project between chile s rodrigo gallano (matanza) and nicola cruz (zzk) exploring the folkloric musical traditions of south america. the a side is comprised of original compositions written, played and sung by rodrigo while nicola cruz remixes all the tracks on the b side, giving the sons his signature deep electronic vibe. the ep will be out on a special limited edition 12- with art composed by renown street artist ju mu monster.

new vara project this time touches neik, say hello to bahia blanca based producer with a massive tc80 remix

to explain the project briefly, this is the second ep called cd it has a remix track by alejandro vivanco on the c side, which then chic miniature have remixed on the d side. the project will continue like that on the next 12” where another artist will be remixing the chic miniature remix... and so it continues. the records won’t be catalogued by numbers, but by letters, as they are more of a series all together. in other words there is only one original track, which is the a side of the first ‘changing pieces’ 12- and the rest are remixes.

editions mego is proud to present the first release of a brand new project from jg thirlwell. recorded at self immolation studios, brooklyn. this is xordox.
all songs composed, performed and recorded by jg thirlwell at self immolation studios sarah lipstate - guitar on 3, 5 and 6 final mixes with al carlson at lazer sound inc greenpoint buchla and serge recordings made at ems stockholm tech and engineering at ems by jonas broberg and daniel araya mastered by scott hull at masterdisk

here it is... a project i unofficially had done since 06Æ. it started when dilla passed february of 06. to cope with the death of my unofficial musical mentor & favorite producer, i started making donuts, uncontrollably. i never planned to release any of the material out of respect for dilla & his craft. iÆve shared some of the music with others, in which they would constantly ask me to hear it, so i decided to put a lil sumthing together and make it official. just for yall. this is a collection of beats i made in 06. some donuts style, some just around that era of 14kt beats. now & laters was always a favorite candy of mine. i used to go to mindells pharmacy in ypsi back in the day and buy all of them. sadly i even stole change from my grandmaÆs (rip) purse for them. ironically, i fell back in love with now and laters around this era. enjoy. 14kt

fresh drum and bass anthems

the 9th release of lanthan.audio will present you the sound of the los angeles based duo motionen. the audio/visual project created by carlos matamoros (a.k.a altrd being) and matt salamone presents its solid reputations on dancefloors throughout the city of angels with growing response and more shows to follow at the whole us ground and over it boundaries. furthermore they founded their own label ascetic limited last year with a very promising path already. also we are glad to welcome back claudio prc for a interpretation of motionens erudito . claudio is part of since the very first release and so a inherent part for lanthan.audio. the other version for the track balance theory comes by christian gerlach cover – photography and press : christian gerlach